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Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.
Marty Waters joined The Senate VFX in 2010. He worked on films like CAPITAIN AMERICA: THE FIRST AVENGER, TOTAL RECALL, THE MONUMENTS MEN and MALEFICENT. As a VFX Supervisor, he took care of the effects of shows such as DOWNTON ABBEY, BLACK MIRROR and KINGSMAN: THE GOLDEN CIRCLE.
Before joining Trixter in 2017, Michael Wortmann worked in several studios such as Animal Logic, Cinesite, Weta Digital, Pixomondo and Chimney. As a VFX Supervisor, he took care of the effects of shows like GAME OF THRONES, STAR TREK: INTO DARKNESS, GOOD KILL and ATOMIC BLONDE.
Theodore Bialek has more than 20 years of experience in visual effects. At Sony Pictures Imageworks, he has worked on numerous projects such as STUART LITTLE, BEOWULF, SPEED RACER and ALICE IN WONDERLAND.
Dominik Zimmerle began his career in visual effects in 2007 at Trixter. He has worked on many projects such as THE AVENGERS, CLOUD ATLAS, IRON MAN 3 and AVENGERS: AGE OF ULTRON. As a VFX Supervisor, he took care of the effects of ANT-MAN and INDEPENDENCE DAY: RESURGENCE.
Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.