The Sea Beast - résultats de la recherche

In 2010, Richard Stammers had explained to us the work of MPC on ROBIN HOOD, he then oversaw the effects of PROMETHEUS and THE COUNSELOR. Today he explains his work on his first superhero movie.

Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...

Marc Jouveneau worked for more than 20 years in visual effects. He began his career in France before crossing the English Channel and going to London. He has worked on various projects such as CASINO ROYALE, DREDD, BYZANTIUM or THE GREAT GATSBY.

Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.

Karen Goulekas is back on The Art of VFX. In the following interview, she explains her collaboration with director Rian Johnson and the various challenges she encountered on this project.

RESIDENT EVIL RETRIBUTION is the largest project made at Mr .X and they won't be too much of two to explain their work on the visual effects of this show. Eric Robinson is back on The Art of VFX after telling us his work on THE THREE MUSKETEERS and is accompanied by Ethan Lee.

Claudia Chung joined Pixar in 2003 to work on FINDING NEMO. She then worked on THE INCREDIBLES, RATATOUILLE and UP. In the following interview, Claudia talks about the many challenges on BRAVE and especially the hair.

Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.

From 8 to 11th Mai took place the FMX 2012 with an impressive selection of high quality conferences. This was an great opportunity to meet many artists interviewed here and also make beautiful meetings. A big thanks to the FMX staffs!

Kaj Steveman worked for over 30 years in the movie business. He started as a SFX makeup. There is 11 years old, he founded the studio Fido. Kaj has since overseen the effects of many films including FROSTBITTEN, LET THE RIGHT ONE IN or HOTELL GYLLENE KNORREN - FILMEN. In the following interview, he discusses his work on UNDERWORLD: AWAKENING.