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Samir Hoon began his career in VFX at R/Greenberg Associates in 1993. He joined Industrial Light & Magic in 1995. He has worked on numerous projects such as TERMINATOR 3: RISE OF THE MACHINES, ERAGON, STAR TREK INTO DARKNESS or HITMAN: AGENT 47.

In 2013, John Knoll told us about his career and PACIFIC RIM. He then oversaw the effects of TOMORROWLAND before taking care of the new STAR WARS movies. Today he talks about his work on ROGUE ONE.

Steve Emerson worked at Rainmaker Entertainment Inc and IMAX before joining LAIKA in 2008 as 2D supervisor on CORALINE. He then worked on PARANORMAN and THE BOXTROLLS.

In 2011, Matt Aitken explained to us the work of Weta Digital on THE ADVENTURES OF TINTIN. He then supervised the visual effects of IRON MAN 3 and the trilogy of THE HOBBIT.

During his last visit, Dadi Einarsson talked to us about his work on CONTRABAND. He then worked on films such as THE DEEP, BOARDWALK EMPIRE and GRAVITY. Framestore Reykjavik also became independant and is now called RVX.

In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.

During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.

Alex Wuttke has worked at Jim Henson's Creature Shop before joining Double Negative in 2002. He worked on films such as THE CHRONICLES OF RIDDICK or BATMAN BEGINS. As a VFX supervisor he took care of the effects for movies like QUANTUM OF SOLACE, 2012 and 2 THOR: THE DARK WORLD.

In 2012, Andrew Booth had detailed to us the work of Blind Ltd on SKYFALL. He then worked on projects like CRYSIS 3 THE FIFTH ESTATE and JACK RYAN: SHADOW RECRUIT.

Francois Dumoulin is in the VFX industry for more than 16 years. He is one of the founders of Parisian studio La Maison where he worked on films like THE MAN WITHOUT A HEAD, DEMONLOVER, LES ENFANTS DE TIMPELBACH or UPSIDE DOWN. He joined Rodeo FX in 2012 and worked on projects such as NOW YOU SEE ME, THE HUNGER GAMES: CATCHING FIRE or PACIFIC RIM.