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After several years at London Computer Film Company, Adrian de Wet goes to California at ESC Entertainment to work on THE MATRIX RELOADED. Back in London, he worked for many studios such as Framestore, MPC and Double Negative, that he joined in 2007.
After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.
Ara Khanikian evolves in the midst of visual effects of Montreal since nearly 10 years, he has gone through many studios like Buzz Image, Hybride or Rodeo FX. He has worked on projects such as THE FOUNTAIN, 300, THE X-FILES, TERMINATOR SALVATION or TWILIGHT: ECLIPSE. In the following interview, he talks to us about his work on JONAH HEX.
Rhythm & Hues for nearly 15 years, Bill Westenhofer has overseen many projects such as BABE, STUART LITTLE, CATS & DOGS, MEN IN BLACK 2 or THE CHRONICLES OF NARNIA. In 2008, he received an Academy Award ® for Achievement in Visual Effects for his work on THE GOLDEN COMPASS. In the following interview, he talks to us about his work on THE A-TEAM.
Stephane Ceretti worked for nearly 12 years at BUF in Paris on films such as ALEXANDER, MATRIX 2 and 3, HARRY POTTER 4 or BATMAN BEGINS. Then he moved to MPC in London as VFX supervisor on PRINCE OF PERSIA. Since this film, he joined Method Studios still in London, where he oversaw THE SORCERER'S APPRENTICE.
Michael Bruce Ellis worked for over 10 years at Double Negative, he begins at the roto department of the studio and then quickly rise and is visual effects supervisor on movies such as WORLD TRADE CENTER or CLOVERFIELD. He recently completed the visual effects of PRINCE OF PERSIA.
Founded in 2006 by Josh Comen, Comen VFX has participated in many projects including TV series like THE SOPRANOS or WEEDS and on movies such as A PERFECT GETAWAY, NEXT, RISE or THE SPY NEXT DOOR. In the following interview, they talk about their work on THE CRAZIES.
After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.
After working at Mill Film for HARRY POTTER AND THE CHAMBER OF SECRETS, Ged Wright joined Double Negative in 2002 and works on HARRY POTTER AND THE GOBLET OF FIRE, HARRY POTTER AND THE ORDER OF THE PHENIX or 10,000 BC. He has just finished overseeing IRON MAN 2.
Danny Yount started as an self-taught designer and creates film credits in Prologue Films for projects such as IRON MAN or ROCKnROLLA. In the following interview, he talks about his work on IRON MAN 2.