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Andrew Jackson has a long experience in visual effects. He has supervised numerous projects such as KNOWING, HAPPY FEET TWO and MAD MAX: FURY ROAD. He talks to us today about his collaboration with director Christopher Nolan for DUNKIRK.

Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

The Visual Effects Society have just announced the nominees for the 15th Annual VES Awards: Outstanding Visual Effects in a Photoreal Feature DOCTOR STRANGE...

Vincent Cirelli explained to us about the work of Luma Pictures on CAPTAIN AMERICA: CIVIL WAR earlier this year. He is now talking about his work on DOCTOR STRANGE.

In 2013, Chad Wiebe explained to us about the work of Scanline VFX on MAN OF STEEL. He then worked at Method Studios on THOR: THE DARK WORLD, GRUDGE MATCH, NIGHT AT THE MUSEUM: SECRET OF THE TOMB and AVENGERS: AGE OF ULTRON.

Stephane Ceretti explained to us in details about his colossal work on GUARDIANS OF THE GALAXY in 2014. Today he talks about the many challenges encountered on DOCTOR STRANGE.

The team of Framestore, composed of VFX Supervisors Mark Wilson and Jonathan Fawkner together with CG Supervisor Alexis Wajsbrot, talks about the challenges of this new production Marvel, DOCTOR STRANGE.

In 2014, Richard Bluff explained to us about the work of ILM on LUCY. He then worked on UNBROKEN, AGENT CARTER and THE BIG SHORT. He's now back in the Marvel universe with DOCTOR STRANGE.

In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...