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MORTAL ENGINES: Ken McGaugh, Kevin Smith, Luke Millar (VFX Supervisors) and...

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The team of Weta Digital (composed of VFX Supervisors Ken McGaugh, Kevin Smith, Luke Millar and Animation Supervisor Dennis Yoo) talk in detail about their work and the challenges on MORTAL ENGINES.

THE BOY AND THE PIANO: Christmas ad for John Lewis

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Beautiful and touching Christmas commercial for John Lewis featuring Elton John with the VFX made by MPC: WANT TO KNOW MORE? MPC: Dedicated page about THE...

SHADOW: Nikos Kalaitzidis – VFX Supervisor – Digital Domain

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A few months ago, Nikos Kalaitzidis explained the work of Digital Domain on ANT-MAN AND THE WASP. He talks to us today about his work on SHADOW.

THE MEG: Adrian de Wet – Overall VFX Supervisor

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In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART 1 and 2.

RAMPAGE: Erik Winquist – VFX Supervisor – Weta Digital

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In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.

THOR – RAGNAROK: Jake Morrison – Overall VFX Supervisor – Marvel...

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In 2015, Jake Morrison explained to us about his work on ANT-MAN. He is talking to us today about his fourth film with the god Thor.

WARCRAFT: Jeff White – VFX Supervisor – Industrial Light & Magic

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Jeff White explained to us about the work of ILM in 2012 on THE AVENGERS. Then he worked on TRANSFORMERS: AGE OF EXTINCTION. He explains in detail today his work on WARCRAFT.

CENTRAL INTELLIGENCE: Kelvin McIlwain – Production VFX Supervisor

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Kelvin McIlwain began his career in the visual effects as a matte painter at Illusion Arts in 1996. He take care of the effects of CENTRAL INTELLIGENCE between two films of the FAST AND FURIOUS saga. Interesting fact: he worked on all the films of this saga!

CAPTAIN AMERICA – CIVIL WAR: Dan Deleeuw – Overall VFX Supervisor

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Dan Deleeuw began his career in the visual effects in 1992 at Dream Quest Images and then joined the teams of Rhythm & Hues. He worked on many projects such as THE ROCK, REIGN OF FIRE, NIGHT AT THE MUSEUM or IRON MAN 3. CIVIL WAR is his second collaboration with the Russo brothers.

DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain

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Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.