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In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.

Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.

At the beginning of the year, Glenn Melenhorst talked to us about his work on JUMANJI - WELCOME TO THE JUNGLE. He is back to show us his work on TOMB RAIDER.

Andy Brown has been working in visual effects for 30 years. Before joining Method he worked at Animal Logic for 22 years during which he was VFX Supervisor on MOULIN ROUGE, HERO, HOUSE OF FLYING DAGGERS, WORLD TRADE CENTER, AUSTRALIA, SUCKER PUNCH, THE GREAT GATSBY, and THE GREAT WALL. Todd Sheridan Perry has been in visual effects and animation since 1992. After owning a small visual effect boutique in Venice, CA for nearly ten years, Todd has worked on projects including LORD OF THE RINGS: THE TWO TOWERS, CHRONICLES OF RIDDICK, 2012, THE MIST, and SPEED RACER. He has worked with Method as a CG Supervisor on AVENGERS: AGE OF ULTRON and DOCTOR STRANGE.

Erik Winquist has nearly 20 years of experience in visual effects and has worked at Weta Digital for 15 years. He has participated in many films such as THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, AVATAR, THE HOBBIT: AN UNEXPECTED JOURNEY and of course the APES trilogy.

In 2016, Seth Hill explained to us about the work of Atomic Fiction on STAR TREK BEYOND. He then worked on ALLIED and ROGUE ONE.

Theodore Bialek has more than 20 years of experience in visual effects. At Sony Pictures Imageworks, he has worked on numerous projects such as STUART LITTLE, BEOWULF, SPEED RACER and ALICE IN WONDERLAND.

Kevin Souls has over 20 years of experience in the visual effects. He worked for many years at Sony Pictures Imageworks on films such as CATS & DOGS, SUPERMAN RETURNS, WATCHMEN, HANCOCK and several SPIDER-MAN. A few months ago, Brendan Seals explained to us the work of Luma Pictures on ALIEN COVENANT.

In 2015, Alex Wuttke explained to us about the work of Double Negative on ANT-MAN. Then he worked on SPECTRE.

In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.