sherlock holmes - résultats de la recherche

Beautiful CG cinematic for SHERLOCK HOLMES: The Devil's Daughter created by Unit Image: © Vincent Frei – The Art of VFX – 2016

Sirio Quintavalle started as a trainee at Framestore almost 15 years ago. He has worked on films like LOST IN SPACE, THE GOLDEN COMPASS, THE DARK KNIGHT or CLASH OF THE TITANS. In the following interview, he talks about his work on SHERLOCK HOLMES: A GAME OF SHADOWS.

Prior to joining MPC Vancouver, Seth Maury has worked for studios like Warner Digital Studios, Cinesite and Sony Pictures Imageworks. His career counts films like HOLLOW MAN, BIG FISH, SPIDERMAN 2 or ALICE IN WONDERLAND. In the following interview, Seth talks about his work on SHERLOCK HOLMES: A GAME OF SHADOWS.

Jonathan Fawkner talks with us in the following interview about his work on SHERLOCK HOLMES, he has done in parallel with AVATAR. Note that Framestore received the VES AWARD for Outstanding Supporting Visual Effects in a Feature Motion Picture for SHERLOCK HOLMES.

In 2010, Michael Ellis explained the work made by DNEG on Prince of Persia. Then he worked on many shows such as The Bourne...

Chas Jarrett began his visual effects career more than 20 years ago at MPC. He took care of the effects of many films such as CHARLIE AND THE CHOCOLATE FACTORY, POSEIDON, SHERLOCK HOLMES and LOGAN.

In 2011, Seth Maury talked to us about the work of MPC on SHERLOCK HOLMES: A GAME OF SHADOWS. He then took care of the visual effects of MALEFICENT, NIGHT AT THE MUSEUM: SECRET OF THE TOMB and THE FINEST HOURS.

Anthony Smith has over 14 of experience in compositing. He joined Framestore for KINGDOM OF HEAVEN. He then worked on films like QUANTUM OF SOLACE, SHERLOCK HOLMES, IRON MAN 3 or GRAVITY.

Since his last appearance on The Art of VFX for GAME OF THRONES, Angela Barson worked on films like SHERLOCK HOLMES: A GAME OF SHADOWS and THE IRON LADY and also on the TV series GREAT EXPECTATIONS. She talks here about the many challenges for SNOW WHITE AND THE HUNTSMAN.

Dadi Einarsson has over 20 years experience in the VFX. He started in Iceland before moving to London and New York. He has worked at The Mill and Framestore for projects like AUSTRALIA, SHERLOCK HOLMES or CLASH OF THE TITANS. In 2008, he returned to Iceland and founded Framestore Iceland.