THE WORLD’S END: Frazer Churchill – VFX Supervisor – Double Negative
In 2010, Frazer Churchill had explained to us the work of Double Negative on SCOTT PILGRIM VS. THE WORLD. He's back on The Art of VFX at the occasion of his new collaboration with director Edgar Wright for THE WORLD'S END.
CALL OF DUTY – GHOST: Robert Sethi – Creative Director –...
Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.
ENDER’S GAME: Matthew Butler – Overall VFX Supervisor – Digital Domain
Matthew Butler had told us the work of Digital Domain for TRANSFORMERS: DARK OF THE MOON in 2011.
Since then he has worked on...
Scott Ross: Discussion at Imaging the Future 2013
We were really happy to welcome Scott Ross at Imaging the Future 2013 in Neuchatel for his great masterclass.
Pascal Chappuis and I took the...
ENDER’S GAME: Ash Thorp – Lead Motion Graphics Designer
Last year, Ash Thorp had explained to us his work on TOTAL RECALL. He has since worked on projects such as IRON MAN 3, HAWKEN or AFTER EARTH. He also created the new logo for The Art of VFX.
RIDDICK: Alain Lachance – VFX Supervisor – Mokko Studio
Alain Lachance has over 20 years of experience in visual effects. He began as an artist Flame at Mokko Studio and worked on films like Silent Hill or THE FOUNTAIN. As VFX supervisor, he took care of the visual effects for films such as MR. MAGORIUM'S WONDER EMPORIUM, UNDERWORLD: AWAKENING or MIRROR MIRROR.
WHITE HOUSE DOWN: Martyn Culpitt (VFX Supervisor) & Mark Wendell (CG...
Martyn Culpitt started his career in visual effects with the LORD OF THE RINGS trilogy, then he worked on films such as VANTAGE POINT, INVICTUS or THE GREEN HORNET. He joined Image Engine in 2012.
Mark Wendell is in VFX for over 20 years. He worked on films like SHREK, ALICE IN WONDERLAND, SPEED RACER or PROMETHEUS.
THE LONE RANGER: Henry Hobson – Creative Director – Bootmaker Films
After explaining his work on the main titles for SNOW WHITE AND THE HUNTSMAN, Henry Hobson worked on the titles for the video game THE LAST OF US and started his studio Bootmaker Films. He is also preparing his first feature film.
THE LONE RANGER: Tim Alexander – VFX Supervisor – ILM
Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.
KICK ASS 2: Hugh Macdonald – VFX Supervisor – Nvizible
In 2012, Hugh Macdonald had explained to us the Nvizible work on SKYFALL. He now talks about his first experience as a Overall VFX Suprevisor on KICK ASS 2.