THE REVENANT: Nicolas Chevallier – VFX Supervisor – Cinesite
Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.
SPECTRE: Mark Curtis – VFX Supervisor – MPC
Mark Curtis started his career in the visual effects in 2001 at MPC. He worked on many projects and then joined MPC Vancouver in 2009. He has worked on films like WATCHMEN, LIFE OF PI or GUARDIANS OF THE GALAXY. As VFX Supervisor, he took care of the effects of films like FIFTY SHADES OF GREY and FURIOUS 7.
SPECTRE: Mark Bakowski – VFX Supervisor – ILM
In 2013, Mark Bakowski talked to us about the visual effects of Framestore on IRON MAN 3. He then worked on films like GRAVITY and JUPITER ASCENDING. He then joined ILM London to work on AVENGERS: AGE OF ULTRON. SPECTRE is his third James Bond film.
SPECTRE: Zave Jackson – VFX Supervisor – Cinesite
Zave Jackson start his career in visual effects in 2000 in the compositing. He joined Cinesite in 2006 and worked on many projects such as JOHN CARTER, SKYFALL, X-MEN: DAYS OF FUTURE PAST or THE MAN FROM U.N.C.L.E.
SOUTHPAW: Lara Lom – VFX Production Manager – Zero VFX
In 2012, Lara Lom talked to us about the MPC work on SKYFALL. After that she worked on films such as 300: RISE OF AN EMPIRE and then on ROBOCOP and GUARDIANS OF THE GALAXY at Framestore. She then joined Zero VFX in Boston.
SPECTRE: Steve Begg – Production VFX Supervisor
Steve Begg began his career in special and visual effects there are more than 30 years ago in minitaures. SPECTRE is his fourth James Bond film (including 3 as VFX supervisor).
THE LAST WITCH HUNTER: Nicholas Brooks – Production VFX Supervisor
Nicholas Brooks have started his career in the VFX at Computer Film Company in London in 1989 and have worked on many various projects such as WHAT DREAMS MAY COME, BLADE II, NOW YOU SEE ME or LUCY.
THE LAST WITCH HUNTER: Ara Khanikian – VFX Supervisor – Rodeo...
In 2013, VFX Supervisor Ara Khanikian had explained in detail the work of Rodeo FX on NOW YOU SEE ME. He then worked on many projects and oversaw the visual effects of BIRDMAN and TOMORROWLAND. He now talks about THE LAST WITCH HUNTER, which marks the third Rodeo FX collaboration with Nick Brooks.
EVEREST: Dadi Einarsson – Co-founder & VFX Supervisor – RVX
During his last visit, Dadi Einarsson talked to us about his work on CONTRABAND. He then worked on films such as THE DEEP, BOARDWALK EMPIRE and GRAVITY. Framestore Reykjavik also became independant and is now called RVX.
THE MARTIAN: Neil Weatherley – CG Supervisor – Framestore
Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.