Interviews

In 2016, Steve Emerson explained Laika's work on KUBO AND THE TWO STRINGS. He talks to us today about MISSING LINK.

In November 2016, Alexis Wajsbrot and Jonathan Fawkner talked about the work of Framestore on DOCTOR STRANGE. And in April of this year, Kyle McCulloch explained to us about his work on BEAUTY AND THE BEAST. They are now talking about the last act of THOR: RAGNAROK.

Vincent Poitras began in the visual effects on the movie 300 at Buzz Image Group in 2006. He then worked on films such as FLOOD or DOOMSDAY. In 2008 he joined the team of Rodeo FX. He will participate in all major projects of the studio such as MR NOBODY, REPO MEN, DEATH RACE or recently THE THREE MUSKETEERS. In the following interview, Vincent talks about his work on IMMORTALS.

Mark Russell began his career as a VFX producer. For several years he has produced the effects of many films like MINORITY REPORT, HELLBOY or THE ITALIAN JOB. He then became VFX supervisor for films such as SLEEP DEALER, DOUBT or CARRIERS.

LINCOLN is the second collaboration of Ben Morris with Steven Spielberg after WAR HORSE. In the following interview, he explains his work at Framestore on this film.

During his last appearance on The Art of VFX, Francois Dumoulin had explained in detail the work of Rodeo FX for LUCY. He then worked on CINDERELLA. Today he talks about the reboot of FANTASTIC FOUR.

Rewinding to 2019, Mike Brazelton provided insight look into the visual effects work made by DNEG for Fast & Furious Presents: Hobbs & Shaw....

James E. Price is working in the visual effects for more than 27 years. As a VFX supervisor, he took care of the effects of many films such as AUSTRALIA, THE A-TEAM, PACIFIC RIM and ROBOCOP.

James Rogers works in the world of the Australian visual effects for over 15 years. After a journey by Square USA, where he worked on FINAL FANTASY, he then worked as VFX supervisor on ANIMATRIX: THE FINAL FLIGHT OF OSIRIS. He joined Postmodern in 2003 where he supervise the visual effects of many commercials and movies such as DAYBREAKERS, AUSTRALIA and KNOWING. James Rogers talks to us about his work on DAYBREAKERS.

Marshall Krasser began his career in the VFX at ILM in 1994, he worked on films such as THE MUMMY, PEARL HARBOR, AVATAR or BATTLESHIP. In 2014, he joined Scanline VFX in Vancouver and then Prime Focus World. He has now joined Psyop Film & Television.