RAISED BY WOLVES: Boris Schmidt (VFX Supervisor) with Max Riess, Moritz...
In 2012, Boris Schmidt explained the work of Pixomondo on THE AMAZING SPIDER-MAN. He then worked on many shows such as FURIOUS 7, POWER RANGERS, THE OA and FOR ALL MANKIND. He talks today about his work on RAISED BY WOLVES with VFX Supervisors Max Riess, Moritz Bock and Julian Lojek.
No Time To Die: Salvador Zalvidea – VFX Supervisor – Cinesite
In 2018, Salvador Zalvidea explained the work of Cinesite on Adrift. He went on to work on Starfish, Outlander and The Bourne Stuntacular.
How did...
Avatar – The Way of Water: David Vickery – VFX Supervisor...
Back in 2018, David Vickery explained the visual effects work for Jurassic World: Fallen Kingdom. He then worked on Battle at Big Rock and...
TRANSFORMERS – THE LAST KNIGHT: Rick O’Connor – Animation Supervisor –...
In 2014, Rick O'Connor explained to us about the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. Now he talks to us about his new collaboration with director Michael Bay and the challenges on TRANSFORMERS: THE LAST KNIGHT.
Dungeons & Dragons – Honor Among Thieves: Todd Vaziri – Compositing...
With over 26 years of experience in visual effects (including 21 at ILM), Todd Vaziri has a large number of films in his filmography...
SCOTT PILGRIM VS THE WORLD: Frazer Churchill – VFX Supervisor –...
After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.
AVENGERS – ENDGAME: Scott Edelstein – Associate VFX Supervisor – Digital...
Scott Edelstein has more than 20 years of experience in visual effects. He joined Digital Domain in 2001 and works on many movies such as THE AVENGERS, JACK THE GIANT SLAYER, DEADPOOL, AVENGERS: INFINITY WAR.
DOCTOR WHO – 50TH ANNIVERSARY SPECIAL – DAY OF THE DOCTOR:...
For over 10 years, Murray Barber has worked in many English VFX studios like MPC, Double Negative, Cinesite, Mill Film and Milk VFX. He has participated on projects such as BLACK HAWK DOWN, TROY, CORPSE BRIDE or 28 WEEKS LATER and also the TV series DOCTOR WHO.
300 – RISE OF AN EMPIRE: Charley Henley (VFX Supervisor) with...
In 2012, Charley Henley had told us about the work of MPC on TOTAL RECALL and PROMETHEUS. Last year, he worked again with director Ridley Scott for THE COUNSELOR. He now explains his work on the sequel of 300.
GHOST IN THE SHELL: Ivan Moran – VFX Supervisor – Framestore
Last December, Ivan Moran told us about Framestore's work on ARRIVAL. He stays in the science fiction world and explains to us today his work on GHOST IN THE SHELL.