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RUST AND BONE: Making of by Mikros Image

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Mikros Image presents their invisible work in this making of for RUST AND BONE: WANT TO KNOW MORE? Mikros Image: My interview of Cedric Fayolle, VFX...

Shadow and Bone: Raphael Hamm – VFX Supervisor – DNEG

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Raphael Hamm has been working in visual effects for almost 20 years. He has worked in many studios such as Scanline VFX and Trixter...

THE IRISHMAN: Pablo Helman (Overall VFX Supervisor), Leandro Estebecoena, Nelson Sepulveda,...

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In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

WARRIOR: Loni Peristere (Co-Founder / Partner and Director) & Nathan Overstrom...

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Loni Peristere is a TV series director (he won an Emmy Award) and is the co-founder of Zoic Studios. He has directed episodes for many series such as BANSHEE, OUTCAST, A SERIES OF UNFORTUNATE EVENTS and AMERICAN HORROR STORY. Nathan Overstrom started his career in visual effects in 2004 at Zoic Studios. He works on many projects like TERMINATOR: THE SARAH CONNOR CHRONICLES, THE GREY, NOAH and HOLD THE DARK.

ATTRACTION: Arman Yahin (CEO), Andrey Maximov & Dmitry Kuznetsov (VFX supervisors)...

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The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.

Best of 2016 and the expectations for 2017

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This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

KUBO AND THE TWO STRINGS: Steve Emerson – VFX Supervisor –...

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Steve Emerson worked at Rainmaker Entertainment Inc and IMAX before joining LAIKA in 2008 as 2D supervisor on CORALINE. He then worked on PARANORMAN and THE BOXTROLLS.

RESIDENT EVIL: RETRIBUTION – Eric Robinson (Digital Visual Effects Supervisor) and...

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RESIDENT EVIL RETRIBUTION is the largest project made at Mr .X and they won't be too much of two to explain their work on the visual effects of this show. Eric Robinson is back on The Art of VFX after telling us his work on THE THREE MUSKETEERS and is accompanied by Ethan Lee.

RUST & BONE: Cedric Fayolle – VFX Supervisor – Mikros Image

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Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.

IMMORTALS: Jay Randall – VFX Supervisor & Founder – BarXseven

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Jay Randall started his career in 1997 working on GODZILLA. He then worked on films like THE FIFTH ELEMENT, PEARL HARBOR or TITANIC. In 2005, he founded the studio BarXseven in Montreal and work as a VFX supervisor on films like TRANSPORTER 2 or STRANGER THAN FICTION. In the following interview, he talks about his work on IMMORTALS.