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Erik Nash began his career in 1979 on the film STAR TREK: THE MOTION PICTURE. He joined Digital Domain in 1995 and work on projects like APOLLO 13, TITANIC or KUNDUN. He then became VFX supervisor and take care of the effects of films like RED PLANET, I ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END. In the following interview, he talks about his work on REAL STEEL.
Greg Steele began his visual effects career at Rhythm & Hues in 2004. He has worked on films such as NIGHT AT THE MUSEUM, THE INCREDIBLE HULK, X: FIRST CLASS and DJANGO UNCHAINED. He then joined Method Studios in 2013. He took care of the effects of films like GUARDIANS OF THE GALAXY, ANT-MAN, CAPTAIN AMERICA: CIVIL WAR, GHOST IN THE SHELL and GUARDIANS OF THE GALAXY VOL. 2.
Two years ago, Dan Lemmon told us about the work of Weta Digital for RISE OF THE PLANET OF THE APES. It is now back to explain his work on MAN OF STEEL.
John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.
In 2011, Raffael Dickreuter explained the work of Pixel Liberation Front on GREEN LANTERN. He has just finished a two years work on MAN OF STEEL and talks to us about his work on it and the use of the virtual camera.
Last year, Max Ivins had told us about the work of Look Effects on LIFE OF PI. He then worked on the third season of GAME OF THRONES. He speaks to us today about his work on MAN OF STEEL.
In 2011, Chad Wiebe talked about his work on FINAL DESTINATION 5. He has since joined Scanline VFX and worked on BATTLESHIP. Today he explains his work on MAN OF STEEL.
Just before Christmas 2012, Guillaume Rocheron had explained to us his work on LIFE OF PI. Now he talks about the visual effects of MPC on MAN OF STEEL.
Let's start 2019 with this beautiful compilation of VFX work made by Digital Domain since 25 years! The reel is featuring their work on: TRUE LIES INTERVIEW...
Jay Barton worked over 14 years at Digital Domain and participated in many projects such as STAR TREK: NEMESIS or TRON LEGACY. He oversaw the effects of X-MEN FIRST CLASS. He speaks here about the invisible effects for ROCK OF AGES.