looper - résultats de la recherche

When Michel Mielke joined Scanline in 2004, he first worked as a producer on such films as THE CHRONICLES OF NARNIA: PRINCE CASPIAN, 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or THE AVENGERS. In the following interview, he talks about his work as VFX Supervisor on LOOPER.

Ryan Tudhope worked for The Orphanage and ImageMovers Digital on projects like HELLBOY, SIN CITY, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or MARS NEEDS MOMS. In 2011, he founded Atomic Fiction with Kevin Baillie and supervises the effects of films like JACK AND JILL and UNDERWORLD AWAKENING.

Karen Goulekas is back on The Art of VFX. In the following interview, she explains her collaboration with director Rian Johnson and the various challenges she encountered on this project.

Ray McIntyre Jr. has been working in visual effects for over 30 years! He has worked on various shows including LIVE FREE OR DIE HARD, LOOPER, AFTER EARTH and RIM OF THE WORLD. He talks to us today about his work on HBO Max's science fiction series, RAISED BY WOLVES.

In 2013, Ben Morris explained to us about the work of Framestore on LINCOLN, he then worked on GRAVITY. Then he joins Industrial Light & Magic. STAR WARS - THE LAST JEDI is his second film STAR WARS after THE FORCE AWAKENS.

In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.

The Mill have released this really nice making of about their work on TEXAS LOTTERY HOLIDAY GAME BOOK: Holiday Game Book Spot "A Million Stories" Holiday...

MAN OF TAI CHI: Christopher Bremble – Founder & Chief Executive Officer – Base FX Christopher Bremble have more than 20 years of experience in...

In 2004, Michel Mielke started as VFX-Producer at Scanline, working on projects like 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or Marvel's THE AVENGERS. In 2012, he became VFX Supervisor, for projects like LOOPER and SNOWPIERCER. He's now Head of Production since spring 2013, supervising all inhouse producers and taking care the daily business.

Christopher Bremble have more than 20 years of experience in the film industry. In 2003, he came to Beijing to complete post-production and visual effects on his second film DEEP RESCUE. In 2003, After its completion, he re-assembled the film's visual effects team and launched Base FX. He worked then on many project such as THE PACIFIC, LOOPER or BROADWALK EMPIRE.