book of eli - résultats de la recherche

Deak Ferrand has worked for more than 15 years in visual effects as a matte painter. He was on the team that won an Academy Award for the Best Visual Effects for WHAT DREAMS MAY COMES. He has since founded his own company, Hatch, and has participated in a large number of film projects such as RIDDICK, CONSTANTINE, SHOOTER, THE ASSASSINATION OF JESSE JAMES, RED CLIFF and WOLVERINE. In the interview which follows, Deak speaks to us about its course and its work on THE BOOK OF ELI.

Marcus Taormina, who previously discussed the visual effects of Army of the Dead in 2021, now shares his insights into his latest collaboration with...

In 2020, Adrian de Wet and Eve Fizzinoglia talked to us about the visual effects on the first season of the See series. They...

Laureline Silan has over 15 years' experience in visual effects. She has worked in a number of studios including Mikros Image (now MPC), Nozon,...

In 2022, Andreas Giesen explained to us the visual effects work created by RISE on The Matrix Resurrections. He talks to us today about...

In 2021, Matt Aitken explained to us the work done by Weta FX on Eternals. He's back today to talk to us about Transformers:...

In 2017, Gary Brozenich told us about the visual effects work for Pirates of the Caribbean: Dead Men Tell No Tales. He then took...

After producing the visual effects for the films Asterix at the Olympic Games and Asterix & Obelix: God Save Britannia, the MPC Paris team...

In 2021, Hanzhi Tang explained the visual effects work created by Digital Domain on Black Widow. He then worked on Shang-Chi and the Legend...

Julian Foddy started his career in visual effects at DNEG in 2006. He then joined ILM in 2015. He has worked on a number...