Werewolf by Night - résultats de la recherche

Andy Boyd has worked in visual effects for over 20 years. He started his career in 2000 at Glassworks. He then worked at Framestore,...

Back in 2013, Joe Farrell explained the work made by Scanline VFX on A Good Day to Die Hard. He then worked on The...

Marvel has released this featurette about the lycanthrope superhero from Werewolf by Night! https://www.youtube.com/watch?v=QjrWxvhDE7I The VFX are made by:Zoic Studios The Production VFX Supervisor is Joe Farrell...

Tom Turnbull has over 30 years experience in visual effects. He co-founded the studio Rocket Science VFX with Anthony Paterson in 2003. He has...

In 2012, Mitchell Drain explained the work of Method Studios on THIS MEANS WAR. He then joined Shade VFX in 2015 and Digital Domain in 2018. He has worked on projects such as KONG: SKULL ISLAND, DOWNSIZING, WESTWORLD and THE TWILIGHT ZONE.

In 2015, Paul Franklin talked to us about DNEG's work on INTERSTELLAR. He then worked on MISSION: IMPOSSIBLE - ROGUE NATION, THE ONES BELOW, CAPTAIN AMERICA: CIVIL WAR, BLADE RUNNER 2049 and FIRST MAN.

Mitchell Drain began his career in 1985 as a roto artist at Robert Abel and Associates. Subsequently, he worked on the Flame and Inferno systems. He has participated in projects such as JUDGE DREDD, INDEPENDENCE DAY, BLACK HAWK DOWN or MINORITY REPORT. In 2004, he joined Asylum and became VFX Supervisor and will handle films like MASTER AND COMMANDER, NATIONAL TREASURE: BOOK OF SECRETS, THE UNBORN or G-FORCE. In the following interview, he talks about his work for THIS MEANS WAR.

After working on the animated series POLLUX in 2007, Sirius Buisson joined the teams of Buf Compagnie where he worked on projects such as SPEED RACER, AVATAR or THOR. He was also on set VFX supervisor for ADÈLE BLANC-SEC. He has joined MPC to work on WRATH OF THE TITANS. In the following interview, he talks about his work as supervisor of the short film WELCOME TO HOXFORD.

Simon Maddison joined Fuel VFX nearly 11 years ago. He has worked on projects like FARSCAPE or RIVERWORLD. Then he will oversee the effects of CHARLOTTE'S WEB or BEDTIME STORIES. In the following interview, he talks about his work on COWBOYS & ALIENS.

Derek Spears begins his career in 1994, the movie LITTLE NICKY marks his debut as VFX Supervisor at Rhythm & Hues, since then he has oversees the effects of films such as THE SUM OF ALL FEARS, DAREDEVIL, SUPERMAN RETURNS, or THE MUMMY 3. In the following interview, he discusses his work on RED RIDING HOOD.