The Predator - résultats de la recherche

Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.

Be sure to look at the before & after pictures by Method Studios (formerly Atomic Fiction) about their work on THE PREDATOR: Here is the...

MPC have just release a full package of before & after pictures about their work on THE PREDATOR: Here is the press release: MPC Film Upgrade...

Action packed TV spot for THE PREDATOR! The VFX are made by: MPC (VFX Supervisors: Arundi Asregadoo & Richard Little) Atomic Fiction (VFX Supervisors: Ryan Tudhope &...

Jonathan Piche-Delorme began his career in visual effects in 2006. He worked in many studios such as Rodeo FX and MELS before joining FOLKS...

In December 2021, Alessandro Ongaro had explained us the work of the visual effects on Ghostbusters: Afterlife. He's back to talk about his new...

Sebastian Barker began his career in visual effects in 2006 at Rushes working on films such as 28 Weeks Later  and RocknRolla. In 2014,...

Rudy Grossmann has nearly 20 years of experience in the visual effects. He has worked in many studios such as Industrial Light & Magic, The Orphanage, Weta Digital or Digital Domain before joining Atomic Fiction in 2014. At Atomic Fiction, he has worked on different movies such as THE WALK, DEADPOOL or ALIEN: COVENANT.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

Kyle McCulloch is in visual effects for over 15 years. He worked in many studios such as Curious Pictures, The Orphanage or ILM. He joined Framestore in 2009 and worked on films such as HARRY POTTER AND THE Deathly HALLOWS: PART 1 or GRAVITY. Mark Wilson began his career in the VFX in 1999 at Passion Pictures. Then he joined Framestore in 2006 and worked on films like AVATAR, LINCOLN or GRAVITY.