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Fast X: Francois Lambert, Aleks Pejic and Michael Grobe – VFX...

In 2018, François Lambert explained to us the work of Hybride made on Solo: A Star Wars Story. He then worked on many projects...

THE WITCHER: Aleksandar Pejic – VFX Supervisor – Cinesite

In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.

THE LEGEND OF TARZAN: Alex Pejic (VFX Supervisor) & Kevin Spruce...

In 2013, Alex Pejic explained the work of Prime Focus on WHITE HOUSE DOWN. He then worked on HERCULES before joining Framestore in 2014. Kevin Spruce has worked at Framestore for over 15 years. His credits include THE CHRONICLES OF NARNIA: PRINCE CASPIAN, AUSTRALIA, WHERE THE WILD THINGS ARE and GUARDIANS OF THE GALAXY.

WHITE HOUSE DOWN: Aleksandar Pejic – VFX Supervisor – Prime Focus...

Last year, Aleksandar Pejic explained to us the work of Prime Focus World on TOTAL RECALL. Now he talks about his work on WHITE HOUSE DOWN.

TOTAL RECALL: Aleksandar Pejic – VFX Supervisor – Prime Focus

Aleksandar Pejic has worked for many years at Double Negative and particularly on films such as BATMAN BEGINS, CHILDREN OF MEN, THE DARK KNIGHT or INCEPTION. He then joined Prime Focus and supervises the effects of TOTAL RECALL.

Fast X: VFX Breakdown by DNEG

Get ready for crazy action sequences and lots of explosions in this VFX Breakdown featuring the work made by the teams of DNEG on...

Fast X

Interested about really cool on set footage and lots of bluescreens? Then don't miss this new featurette for Fast X! The VFX are made by:DNEG...

Space Jam: A New Legacy

Get ready for the return of The Looney Tunes in this brand new trailer of Space Jam: A New Legacy! The VFX are made by:Industrial...

THE WITCHER: VFX Breakdown by Cinesite

Don't miss this VFX Breakdown by Cinesite which reveals their work on the numerous creatures of THE WITCHER but also on the creation of...

THE WITCHER: Julian Parry – Overall VFX Supervisor

Julian Parry began his film career as a special effects technician in the early 1980s. He began working in visual effects in 1990 at Rushes Post Production and works on a large number of projects such as SEVEN WONDERS OF THE INDUSTRIAL WORLD, CAMELOT, TITANIC: BLOOD AND STEEL and VIKINGS.