David Sewell - résultats de la recherche

Back in 2020, David Sewell explained the work of DNEG on the Cursed series. He's back to talk about another series and MPC's work. Oliver...

David Sewell began his career in visual effects with INDEPENDENCE DAY. He then worked in various studios such as Cinesite, The Senate and DNEG. He has worked on many shows including WORLD WAR Z, JOHN CARTER, IN THE HEART OF THE SEA and CHERNOBYL.

Chris Ritvo embarked on his visual effects career in 2010 at Mr. X (now MPC), where he worked on a variety of projects, including...

DNEG presents the variety of their work on CURSED from various environments, magic to Demonic Bear in this VFX Breakdown: https://vimeo.com/447591568 WANT TO KNOW MORE?DNEG: Dedicated...

Interested about a reimagining of the Arthurian legend? Don't miss this first trailer for CURSED: https://www.youtube.com/watch?v=6XelS6fQbuo The VFX are made by:DNEG (VFX Supervisors: David Sewell &...

After he had explained the impressive work of Cinesite on THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, Matt Johnson is back on The Art of VFX. He talks about his work on X-MEN FIRST CLASS.

Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.

After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.