Tag: VFX Supervisor

DEADPOOL 2: Dan Macarin – VFX Supervisor – Weta Digital

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Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.

SOLO – A STAR WARS STORY: Rob Bredow (Overall Visual Effects...

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Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

DEADPOOL 2: Sean Konrad (VFX Supervisor) & John Likens (Creative Director)...

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Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

DEADPOOL 2: Mike Brazelton – VFX Supervisor – DNEG

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Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.

DEADPOOL 2: Stephane Nazé – VFX Supervisor – Framestore

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At the beginning of the year, Stephane Nazé explained the work of Framestore on DOWNSIZING. He talks to us today about DEADPOOL 2.

AVENGERS – INFINITY WAR: Greg Steele – VFX Supervisor – Method...

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Greg Steele began his visual effects career at Rhythm & Hues in 2004. He has worked on films such as NIGHT AT THE MUSEUM, THE INCREDIBLE HULK, X: FIRST CLASS and DJANGO UNCHAINED. He then joined Method Studios in 2013. He took care of the effects of films like GUARDIANS OF THE GALAXY, ANT-MAN, CAPTAIN AMERICA: CIVIL WAR, GHOST IN THE SHELL and GUARDIANS OF THE GALAXY VOL. 2.

DEADPOOL 2: Dan Glass – Overall VFX Supervisor

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Dan Glass has 25 years of experience in visual effects. As a VFX supervisor, he took care of the effects of many movies like THE MATRIX sequels, V FOR VENDETTA, THE TREE OF LIFE and JUPITER ASCENDING.

AVENGERS – INFINITY WAR: Andrew Morley – VFX Supervisor – Cinesite

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In 2016, Andrew Morley explained the work of Cinesite on FANTASTIC BEASTS AND WHERE TO FIND THEM. He talks to us today about his work on AVENGERS: INFINITY WAR.

AVENGERS – INFINITY WAR: Oliver Schulz – VFX Supervisor – RISE

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Oliver Schulz began his career in visual effects in 2011 at RISE. He has worked on many films such as CLOUD ATLAS, THE MAN FROM U.N.C.L.E., DOCTOR STRANGE and BLACK PANTHER.

AVENGERS – INFINITY WAR: Graham Page – VFX Supervisor – DNEG

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Graham Page began his visual effects career in 2006 at DNEG. He has worked on many projects such as THE DARK KNIGHT, INCEPTION, INTERSTELLAR and ASSASSIN'S CREED.