Tag: VFX Supervisor

ANT-MAN AND THE WASP: Nikos Kalaitzidis (VFX Supervisor) & Joel Behrens...

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In 2017, Nikos Kalaitzidis had explained the work of Digital Domain on THE FATE OF THE FURIOUS. He then worked on SPIDER-MAN: HOMECOMING, A WRINKLE IN TIME and SHADOW. Joel Behrens began his visual effects career in 2002 at Asylum Visual Effects. Then he worked at Digital Domain, Industrial Light & Magic, ESC Entertainment and Weta Digital. He returned to Digital Domain in 2006. He has worked on many films such as TRANSFORMERS: REVENGE OF THE FALLEN, THOR, ENDER'S GAME and READY PLAYER ONE.

SKYSCRAPER: Craig Hammack – Overall VFX Supervisor – Industrial Light &...

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Earlier this year, Craig Hammack told us about the work of ILM on BLACK PANTHER. He talks to us today about his work and the challenges on SKYSCRAPER.

HOTEL ARTEMIS: Venti Hristova – VFX Supervisor – Cantina Creative

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Venti Hristova started her career in visual effects in 2006. She worked on many films such as SPEED RACER, TERMINATOR SALVATION, AVATAR and IRON MAN 2. As a VFX Supervisor, she took care of the effects of films like THE AVENGERS, IRON MAN 3, GUARDIANS OF THE GALAXY VOL. 2 and SPIDER-MAN: HOMECOMING.

ANT-MAN AND THE WASP: Alessandro Ongaro – VFX Supervisor – DNEG

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Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON,...

ADRIFT: Sara Bennett – VFX Supervisor – Milk Visual Effects

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In 2013, Sara Bennett explained the work of Milk Visual Effects on THE MISERABLES. She then worked on many films such as DRACULA UNTOLD, THE MARTIAN, FANTASTIC BEASTS AND WHERE TO FIND THEM, ASSASSIN'S CREED and ANNIHILATION. In 2016, she won the Oscar for Best Visual Effects for EX MACHINA.

JURASSIC WORLD – FALLEN KINGDOM: James D. Fleming (VFX Supervisor) &...

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James D. Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for movies like MALEFICENT, THE MARTIAN, GUARDIANS OF THE GALAXY and KING ARTHUR: LEGEND OF THE SWORD. Chris Lunney joined Nvizible in 2014. He has worked on many productions such as EDGE OF TOMORROW, JASON BOURNE, FANTASTIC BEASTS AND WHERE TO FIND THEM and THE COMMUTER.

ADRIFT: Salvador Zalvidea – VFX Supervisor – Cinesite

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Earlier this year, Salvador Zalvidea explained the work of Cinesite on MUTE. He talks to us today about his work on ADRIFT.

JURASSIC WORLD – FALLEN KINGDOM: Pietro Ponti – VFX Supervisor –...

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Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10'000 BC, THE DARK KNIGHT, TERMINATOR GENISYS...

JURASSIC WORLD – FALLEN KINGDOM: David Vickery (Overall VFX Supervisor), Alex...

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In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

SOLO – A STAR WARS STORY: Joseph Kasparian & François Lambert...

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In 2017, Joseph Kasparian had explained to us the work of Hybride on ROGUE ONE: A STAR WARS STORY. He then worked on ASSASSIN'S CREED, VALERIAN AND THE CITY OF A THOUSAND PLANETS, MOTHER! and STAR WARS: THE LAST JEDI. François Lambert began his career in the visual effects in 1994 at Hybride. He joined Industrial Light & Magic in 2003 and then returned to Hybride in 2017. He worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, STAR TREK, PACIFIC RIM and STAR WARS: THE LAST JEDI.