Tag: VFX Producer

Alexander Seaman started his career in visual effects in 2004 at MPC, he then worked at Framestore before joining DNEG in 2006. He has...

Back in 2015, Dadi Einarsson explained the visual effects work on Everest. He then worked on several projects such as Trapped, Adrift and Hunters. Gavin...

In 2019, Daniele Bigi had explained ILM's work on Aladdin. He then worked on Star Wars: The Rise of Skywalker. Peter Kyme started his career...

From August 2020 to April 2021, the Parisian teams of MPC Film & Episodic (formerly Mikros VFX) crafted 230 shots on Ridley Scott's latest...

Last year, James Etherington-Sparks, explained in detail the work of Union VFX on The Gentlemen. He then worked on the Black Narcissus series and...

In 2014, Dan Levitan told us about the work of Hammerhead on The Expendables 3 and then worked at Psyop and FuseFX on a...

Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.

Randall Balsmeyer has been working in visual effects for 40 years! He has worked on many films including GHOST, DEAD MAN, THE ADJUSTMEN BUREAU and BLACKKKANSMAN. He talks to us today about his new collaboration with director Spike Lee.

In 2018, Adrian de Wet explained his work on THE MEG. He's back today with the post-apocalyptic Apple TV+ series, SEE: Eve Fizzinoglia began her career in visual effects in 2009 at Stargate Studios. She has worked on a many shows including CALIFORNICATION, HOUSE OF LIES, RAY DONOVAN and COLONY.