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UNDERWATER: Axel Bonami – VFX Supervisor – MPC
In 2017, Axel Bonami explained the work of MPC on GHOST IN THE SHELL. Today he takes us to the bottom of the oceans to talk about UNDERWATER.
18th Annual VES Awards: The Winners
The Visual Effects Society have announced the winners for the 18th Annual VES Awards!
// Outstanding Visual Effects in a Photoreal Feature
THE LION KING
Robert Legato,...
TOGO: Raymond Chen – VFX Supervisor – DNEG
Last year, Raymond Chen explained the work of DNEG on ALITA: BATTLE ANGEL. Today he talks to us about the Disney+ film, TOGO.
THE WITCHER: Aleksandar Pejic – VFX Supervisor – Cinesite
In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.
THE WITCHER: Christopher Gray – VFX Producer – Framestore
What is your background?
Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the...
The Aeronauts: Christian Kaestner – VFX Supervisor – Framestore
Last year, Christian Kaestner explained Framestore's work on CAPTAIN MARVEL. He then joined THE AERONAUTS.
18th Annual VES Awards: The Nominations
The Visual Effects Society have announced the nominees for the 18th Annual VES Awards!
// Outstanding Visual Effects in a Photoreal Feature
ALITA: BATTLE ANGEL
Richard Hollander,...
THE WITCHER: Julian Parry – Overall VFX Supervisor
Julian Parry began his film career as a special effects technician in the early 1980s. He began working in visual effects in 1990 at Rushes Post Production and works on a large number of projects such as SEVEN WONDERS OF THE INDUSTRIAL WORLD, CAMELOT, TITANIC: BLOOD AND STEEL and VIKINGS.
THE CURRENT WAR: Justin Ball – Overall VFX Supervisor & Second...
In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.
ALADDIN: Daniele Bigi (VFX Supervisor) & Steve Aplin (Animation Supervisor) –...
Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE.
Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.