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Ivan Moran has worked in the visual effects for over 20 years. Before joining Framestore, he worked at Animal Logic and Weta Digital. He supervised the effects of many films such as THE SMURFS, THE SECRET LIFE OF WALTER MITTY, DRACULA UNTOLD and THE LEGEND OF TARZAN.

Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.

The Senate have published their new showreel featuring their work on MALEFICENT, THE MONUMENTS MEN, DARK SHADOWS and many more: WANT TO KNOW MORE? DARK SHADOWS:...

Here is the recap of my interviews of the week #3. So you won't miss any of them. EXODUS - GODS AND KINGS: Peter Chiang...

300 – RISE OF AN EMPIRE: Charley Henley (VFX Supervisor) with Sheldon Stopsack and Adam Davis (CG Supervisors) – MPC In 2012, Charley Henley had...

Marc Jouveneau worked for more than 20 years in visual effects. He began his career in France before crossing the English Channel and going to London. He has worked on various projects such as CASINO ROYALE, DREDD, BYZANTIUM or THE GREAT GATSBY.

Anton Yri began working in the VFX on BATMAN BEGINS at The Senate VFX in 2005. It has since remained in the studio and has participated in numerous films like THE DA VINCI CODE, HELLBOY II: THE GOLDEN ARMY or KICK ASS and also on TV shows like ROME, FLASH FORWARD or LUTHER.

Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.

Chrisophe Dupuis joined BUF in 1995. He has worked on many projects such as BATMAN & ROBIN, FIGHT CLUB or SPEED RACER.

Peter Chiang started working in visual effects at the opticals period on projects such as HIGHLANDER, LABYRINTH, or BATMAN. In 1998 he is one of the founders of Double Negative. He has since overseen an impressive number of projects such as PITCH BLACK, ENEMY AT THE GATES, THE CHRONICLES OF RIDDICK, THE BOURNE ULTIMATUM or GREEN ZONE. In the following interview, he discusses his work on JOHN CARTER.