PIRATES OF THE CARIBBEAN - résultats de la recherche

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

The Visual Effects Society have just announced the nominees for the 15th Annual VES Awards: Outstanding Visual Effects in a Photoreal Feature DOCTOR STRANGE...

In 2013, John Knoll told us about his career and PACIFIC RIM. He then oversaw the effects of TOMORROWLAND before taking care of the new STAR WARS movies. Today he talks about his work on ROGUE ONE.

Here is the recap of my interviews of the week #22. So you won't miss any of them. MAD MAX FURY ROAD: Tom Wood -...

Here is the recap of my interviews of the week #20. So you won't miss any of them. AVENGERS - AGE OF ULTRON: Ben Snow...

Ben Snow joined Industrial Light & Magic in 1994. He has worked on films such as TWISTER, JURASSIC PARK: THE LOST WORLD or THE MUMMY. He then became VFX Supervisor and take care of the visual effects of movies like STAR WARS EPISODE II - ATTACK OF THE CLONES, IRON MAN, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or NOAH.

Here is the recap of my interview of the week #49. So you won't miss any of them. THE HUNGER GAMES - MOCKINGJAY PART 1:...

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

MAN OF TAI CHI: Christopher Bremble – Founder & Chief Executive Officer – Base FX Christopher Bremble have more than 20 years of experience in...

X-MEN - DAYS OF FUTURE PAST: Benoit Dubuc - Animation Supervisor - MPC Benoit Dubuc began his career in 2001. He has worked at several...