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In 2011, Jesper Kjolsrud had explained in details the work of Image Engine for THE THING. He then supervised the effects R.I.P.D. As one of Image Engine’s longest serving crewmembers, Bernhard Kimbacher has contributed to many of the company’s projects, including DISTRICT 9; THE TWILIGHT SAGA: ECLIPSE; THE THING; BATTLESHIP and ELYSIUM. He joined Jesper on set in New Mexico as Plate Supervisor for LONE SURVIVOR and was also the Compositing Supervisor.
Beautiful VFX breakdown by Image Engine about their invisible work on LONE SURVIVOR: © Vincent Frei – The Art of VFX – 2014
Roger Guyett explained the ILM's work on STAR WARS - THE FORCE AWAKENS in 2016. READY PLAYER ONE marks his new collaboration with director Steven Spielberg. In 2012, Grady Cofer told us about his work on BATTLESHIP. He then worked on many films such as LONE SURVIVOR, NOAH and TERMINATOR GENISYS.
In last March, Chris Harvey talked in detail about the work of Image Engine on CHAPPIE by Neill Blomkamp. As for Bernhard Kimbacher, he had detailed to us his work on LONE SURVIVOR last year.
In 2015, Craig Hammack told us about the work of Industrial Light & Magic on TOMORROWLAND. After BATTLESHIP, DEEPWATER HORIZON marks his second collaboration with director Peter Berg.
Here is the recap of my interviews of the week #22. So you won't miss any of them. MAD MAX FURY ROAD: Tom Wood -...
NOAH: Dan Schrecker - VFX Supervisor - Look Effects Since his last interview here, Dan Schrecker worked on several projects such as THE SECRET LIFE...
Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.
RESIDENT EVIL RETRIBUTION is the largest project made at Mr .X and they won't be too much of two to explain their work on the visual effects of this show. Eric Robinson is back on The Art of VFX after telling us his work on THE THREE MUSKETEERS and is accompanied by Ethan Lee.