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GONE GIRL: VFX Breakdown by Artemple Hollywood
Nice VFX breakdown by Artemple Hollywood about their invisible work on GONE GIRL (click on the picture below to watch it):
© Vincent Frei –...
GONE GIRL
Here is a the first trailer for the new movie of David Fincher, GONE GIRL:
The VFX are made by:
Digital Domain (VFX Supervisor : Eric...
The Killer: Wei Zheng (VFX Supervisor – Artemple Hollywood), Yabin Morales...
Wei Zheng began his career in visual effects in 1998 at ILM. He then worked at Digital Domain and joined Artemple Hollywood in 2012....
Chip ‘n’ Dale: Rescue Rangers: Steve Preeg – VFX Supervisor –...
Back in 2013, Steve Preeg explained the work made by Digital Domain on Oblivion. He then worked on Gone Girl and Beauty and the...
VFX Supervisor Eric Barba joins Industrial Light & Magic
Breaking news! VFX Supervisor Eric Barba have joined Industrial Light & Magic at Vancouver!
Here is the press release:
Industrial Light & Magic (ILM), a division...
Sweet Tooth: Matthew Bramante (On Set VFX Supervisor) & Rob Price...
Matthew Bramante started his career in visual effects in 2007 at Digital Domain. He has worked on many shows such as Real Steel, Iron...
CAPTAIN MARVEL: Dave Hodgins – VFX Supervisor – Digital Domain
In 2017, Dave Hodgins explained the work of Digital Domain on THOR: RAGNAROK. He talks to us today about CAPTAIN MARVEL.
BIRD BOX: Marcus Taormina – Overall VFX Supervisor
Marcus Taormina began his visual effects career more than 10 years ago. He has worked on many movies like THE AMAZING SPIDER-MAN, FURY, TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS and BRIGHT.
BLADE RUNNER 2049: Paul Lambert – VFX Supervisor – Double Negative
Paul Lambert started his career at Cinesite in 1995 and then worked at Digital Domain before joining Double Negative in 2015. His filmography includes films such as THE CURIOUS CASE OF BENJAMIN BUTTON, TRON LEGACY, OBLIVION and THE HUNTSMAN: WINTER'S WAR.
BLADE RUNNER 2049: John Nelson – Overall VFX Supervisor
John Nelson supervised the visual effects of more than 20 movies such as IN THE LINE OF FIRE, THE MATRIX RELOADED, I ROBOT and IRON MAN. He won an Academy Award for Best Achievement in Visual Effects for GLADIATOR.