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In 2018, Dan Glass explained his work on DEADPOOL 2. He then joined DNEG and talks today about his work on FAST & FURIOUS PRESENTS: HOBBS & SHAW.
Dan Glass has 25 years of experience in visual effects. As a VFX supervisor, he took care of the effects of many movies like THE MATRIX sequels, V FOR VENDETTA, THE TREE OF LIFE and JUPITER ASCENDING.
Big news! Senior VFX Supervisor Dan Glass (DEADPOOL 2, CLOUD ATLAS, NINJA ASSASSIN, ...) is joining the teams of DNEG! Here is the press release: DNEG...
A few months ago, Chris White and Aidan Martin told us about Weta Digital's work on SPACE FORCE. Today they are introducing two new characters for THE UMBRELLA ACADEMY:
IN 2018, Craig Wentworth told us about the work of Method Studios on AQUAMAN. Now he's talking about EXTRACTION. During his last visit here, Dan Bethell had detailed the work of Method Studios on OUTLAW KING.
Don't miss this nice prologue created by the teams of Glassworks for THE KID WHO WOULD BE KING: https://vimeo.com/348196602 THE KID WHO WOULD BE KID -...
Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.
The team of Luma Pictures (composed by Kevin Souls, Brendan Seals and Raphael A. Pimentel) is back on The Art of VFX to present us their work on BLACK PANTHER.
Kevin Souls has over 20 years of experience in the visual effects. He worked for many years at Sony Pictures Imageworks on films such as CATS & DOGS, SUPERMAN RETURNS, WATCHMEN, HANCOCK and several SPIDER-MAN. A few months ago, Brendan Seals explained to us the work of Luma Pictures on ALIEN COVENANT.
Glassworks Barcelona have just released this making of about their nice work on this PEPSI ARABIA commercial directed by Ernest Desumbila: PEPSI ARABIA "Hand in...