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Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.
Action packed TV spot for THE PREDATOR! The VFX are made by: MPC (VFX Supervisors: Arundi Asregadoo & Richard Little) Atomic Fiction (VFX Supervisors: Ryan Tudhope &...
This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...
Charlie Tait began his career in visual effects in 1996 at Cinesite. He worked on films like EVENT HORIZON, TOMORROW NEVER DIES, or LOST IN SPACE. He joined Weta Digital in 2000 and worked on the LORD OF THE RINGS trilogy. He participates in many projects of the studio like AVATAR, PROMETHEUS or IRON MAN 3.
The team of Blur Studio composed of Tim Miller (Director & Founder), Pauline Duvall (VFX Supervisor) and Franck Balson (Previsualization Supervisor) talks about the various challenges faced on DEADPOOL.
In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.
In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.
Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.
Many new VFX shots in this Super Bowl trailer for DEADPOOL: The VFX are made by: Digital Domain (VFX Supervisor : Alex Wang) Atomic Fiction (VFX Supervisor...
Since his interview about UNDERWORLD: AWAKENING, Jeff Campbell has worked on films like ABRAHAM LINCOLN: VAMPIRE HUNTER, RESIDENT EVIL: RETRIBUTION or THE TWILIGHT SAGA: BREAKING DAWN - PART 2.
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