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CHERNOVIK (A ROUGH DRAFT): Making of by Asymmetric VFX

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Russian studio Asymmetric VFX have released this making of about their work on CHERNOVIK (A ROUGH DRAFT): © Vincent Frei – The Art of VFX...

THE THOUSAND FACES OF DUNJIA (QI MEN DUN JIA): VFX Breakdown...

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Russian studio Asymmetric VFX have released this VFX Breakdown about their work on THE THOUSAND FACES OF DUNJIA (QI MEN DUN JIA): © Vincent Frei...

VIY: VFX sequence by Asymmetric VFX

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Nice VFX sequence by Asymmetric VFX for VIY: WANT TO KNOW MORE? Asymmetric VFX: Dedicated page about VIY on Asymmetric VFX website. © Vincent Frei – The...

Asymmetric VFX Showreel 2014

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Here is a nice showreel by Russian studio Asymmetric VFX: © Vincent Frei – The Art of VFX – 2014

Robo: VFX Breakdown by Asymmetric Studios

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Interested about Robots? Let's discover how the teams of Asymmetric Studios created this one for the Russian movie, Robo: https://vimeo.com/539668560 © Vincent Frei – The Art...

The Last of Us: Simon Jung (VFX Supervisor) and Dennis Yoo...

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Simon Jung has been working at Weta FX for almost 20 years. He has worked on many films such as District 9, Avatar, The...

Eternals: Daniele Bigi (VFX Supervisor) with Peter Kyme (CG Supervisor), Mathieu...

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In 2019, Daniele Bigi had explained ILM's work on Aladdin. He then worked on Star Wars: The Rise of Skywalker. Peter Kyme started his career...

The Midnight Sky: Matt Kasmir & Chris Lawrence – Overall VFX...

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Last year, Matt Kasmir explained to us in detail his work on the George Clooney's series, Catch-22. He is back today to tell us...

REBECCA: Murray Barber – VFX Supervisor & Co-founder – Milk Visual...

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In 2013, Murray Barber told us about the work of Milk Visual Effects on DOCTOR WHO. He then worked on many shows such as EVEREST, HIGH RISE, FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD and ORIGIN.

OKJA: Erik-Jan de Boer – VFX Supervisor – Method Studios

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Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.