Guillaume Rocheron begins his career at BUF in 2000. Having worked on films such as PANIC ROOM, ALEXANDER and BATMAN BEGINS, he left to join the teams of MPC in London. He worked on SUNSHINE, 10’000 BC or HARRY POTTER AND THE HALF BLOOD . In 2009, he moved to MPC Vancouver to work on PERCY JACKSON.

Guillaume Rocheron discuss with us about his work on PERCY JACKSON.

To read the interview, click here

// Original version: English

Kevin Mack begins his visual effects career as model painter on THE ABYSS. Then he joins Digital Domain as matte painter, he will work on this position on films such as TRUE LIES or THE FIFTH ELEMENT. He becomes then a VFX supervisor of WHAT DREAMS MAY COME, FIGHT CLUB or VANILLA SKY. In 2002, Kevin Mack leaves Digital Domain to join Sony Imageworks where he will supervise SPEED RACER, GHOST RIDER or BIG FISH.

In the interview which follows, he speaks to us about his work of visual effects supervision on PERCY JACKSON.

To read the interview, click here

// Original version: English