Neil Huxley has worked more than 5 years at Digital Pictures Iloura as Flame operator before coming to the United States where he worked as art director on movies such as GAMER or WATCHMEN at yU+co. It’s him that create the beautiful opening title sequence of this show. In 2009, he joined Prime Focus.

In the following interview, he talks about his work on AVATAR.

To read the interview, click here

// Original version: English

Daniel Leduc is a true pioneer in the visual effects in Canada, he founded with 3 other partners the company Hybride that has achieved the effects of many films such as the SPY KIDS trilogy, SIN CITY, 300 or JOURNEY TO THE CENTER OF THE EARTH. They just completed AVATAR.

Daniel Leduc talks to us about his work on AVATAR.

To read the interview, click here

// Original version: French

Jonathan Fawkner is working since 10 year at Framestore. He has worked on the most biggest projects of the studio such as V FOR VENDETTA, THE GOLDEN COMPASS or THE DARK KNIGHT.

In the following interview, he talks about the challenges encounter on AVATAR.

To read the interview, click here

// Original version: English

Mathilde Tollec entered at BUF in 2004. She became visual effects supervisor on the film RICKY and she has just ended the supervision of AVATAR.

In the following interview, she talks about his experience on AVATAR.

To read the interview, click here

// Original version: French

Evolving for more than 10 years in the French and European postproduction, Hassan El Youbi worked in the most part of the Parisian studios as Mac Guff, Sparx or Duboi. He joins the teams of Weta Digital in summer 2008 for AVATAR.

In the following interview, he talks about his work as TD Lighting on AVATAR.

To read the interview, click here

// Original version: French